
Breakfast at Tiffany's is a 1961 American romantic comedy film. It was adapted by filmmaker and playwright George Axelrod from the Truman Capote novel of the same name. The film stars Audrey Hepburn as the free-spirited Holly Golightly, a charming New York socialite with a youthful zest for life, who is determined to marry a Brazilian millionaire. The cast also includes George Peppard, Patricia Neal, Martin Balsam, and Mickey Rooney.
| Characteristics | Values |
|---|---|
| Date of release | 1961 |
| Genre | Comedy, Drama, Romance |
| Director | Blake Edwards |
| Screenplay adapted by | George Axelrod |
| Based on the novella by | Truman Capote |
| Starring | Audrey Hepburn, George Peppard, Patricia Neal |
| Hepburn's salary | $750,000 (roughly equivalent to $7.3 million as of 2022) |
| Hepburn's character | Holly Golightly |
| Peppard's character | Paul ("Fred") Varjak |
| Neal's character | Wealthy older woman |
| Awards | Best Score for Henry Mancini, Best Song for Johnny Mercer's "Moon River", Best Written American Comedy from the Writers Guild of America |
| Hepburn's nomination | Best Actress Academy Award nomination |
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What You'll Learn

Breakfast at Tiffany's was released in 1961
Breakfast at Tiffany's is a critically acclaimed romantic comedy film that was released in 1961. It is based on the novella of the same name by Truman Capote. The film adaptation was written by George Axelrod and directed by Blake Edwards.
The film stars Audrey Hepburn as Holly Golightly, a free-spirited socialite from New York City who is determined to marry a Brazilian millionaire. When a young writer, Paul Varjak, moves into her apartment building, his presence complicates her plans. Paul is played by George Peppard, who portrays the character as a "straight-laced" writer who falls for his neighbour, Holly.
Hepburn's performance as Holly is considered iconic and earned her a Best Actress Academy Award nomination. Her style in the film, including the influential little black dress in the opening scene, made her a fashion icon. The chemistry between Hepburn and Peppard, as well as the genuine affection and respect between their characters, adds to the appeal of the film.
The film also features memorable supporting performances, including Patricia Neal as a wealthy woman involved with Paul, and Mickey Rooney, whose portrayal of a Japanese neighbour has drawn criticism. The score by Henry Mancini and the song "Moon River", with music by Mancini and lyrics by Johnny Mercer, are also iconic elements of the film, winning multiple awards.
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The film is based on a novella by Truman Capote
The classic film *Breakfast at Tiffany's* was released in 1961, but its origins can be traced back to a 1958 novella of the same name by the renowned American author Truman Capote. Capote's work provided the foundation for the beloved movie, but the transition from page to screen involved some notable adaptations.
The novella, *Breakfast at Tiffany's: A Short Novel and Three Stories*, was first published in 1958 by Random House. It centres around a young, eccentric woman named Holly Golightly, who lives in New York City and strives to fulfill her ambitions of luxury and sophistication. Capote's story explores themes of identity, social class, and personal transformation in the unique, glamorous world of its protagonist.
The film adaptation, directed by Blake Edwards and starring Audrey Hepburn and George Peppard, made some significant changes to the original story. Most notably, the ending was altered to be more positive and romantic, deviating from the more ambiguous conclusion of Capote's novella. Additionally, the movie softened some of the more provocative elements of Holly's character, such as her profession and her relationships with men, to better conform to the expectations and standards of the time.
Despite these differences, the film successfully captured the essence of Capote's work, showcasing Holly's unique charm and the allure of her unconventional lifestyle. Hepburn's iconic portrayal of Holly, with her elegant yet playful fashion sense and enigmatic personality, has left an enduring impression on popular culture, ensuring that *Breakfast at Tiffany's* remains a beloved and influential work in both literature and cinema.
The impact of Capote's novella extends beyond the film as well. It has been adapted for the stage and has inspired various artistic endeavours, including a musical and an opera. The story's enduring appeal lies in its exploration of human desires for love, acceptance, and a sense of belonging, all set within the captivating backdrop of New York City.
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Audrey Hepburn's performance as Holly Golightly
Breakfast at Tiffany's, an American romantic comedy film, was released in 1961. It was based on the novella of the same name by Truman Capote and is considered one of Audrey Hepburn's most iconic roles. Hepburn's portrayal of Holly Golightly, a naive, eccentric socialite, is regarded as one of the actress's most memorable and challenging performances.
Hepburn's performance as Holly Golightly received critical acclaim and nominations for multiple Academy Awards, including Best Actress. Hepburn's ability to charm audiences and her on-screen chemistry with her co-stars, particularly George Peppard, who played Paul Varjak, contributed to the success of the film. The character of Holly, a charismatic socialite with a youthful zest for life, resonated with audiences and became synonymous with Hollywood glamour. Hepburn's style and elegance, as well as her ability to portray the complex emotions of Holly, were praised by critics and fans alike.
There are several parallels between Hepburn's life and that of her character, Holly Golightly. Both had traumatic childhoods and bumpy romantic relationships. Hepburn and Holly both remade their lives after facing challenges in their early years. Hepburn's personal experiences may have helped her bring depth and authenticity to the character of Holly. Hepburn's devotion to her children and her decision to step back from Hollywood to focus on her family also mirror Holly's devotion to her brother, Fred, in the film.
The film's signature song, "Moon River," performed by Hepburn herself, became a critical component of her character. The song, composed by Henry Mancini with lyrics by Johnny Mercer, was tailored to Hepburn's limited vocal range. The sequence in which Hepburn sings "Moon River" while playing the guitar is considered one of the most memorable scenes in the film. The song won an Academy Award for Best Song and contributed to the enduring legacy of both the film and Hepburn's performance.
Audrey Hepburn's portrayal of Holly Golightly in Breakfast at Tiffany's has left an indelible mark on cinematic history. Her performance continues to be celebrated and remembered as one of the most iconic and challenging roles of her illustrious career. The character of Holly Golightly, brought to life by Hepburn's talent and charisma, has become a symbol of Hollywood glamour, wit, and charm.
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The film's theme song, Moon River
In 1961, a romantic comedy-drama film directed by Blake Edwards and starring Audrey Hepburn and George Peppard was released: Breakfast at Tiffany's. The film is loosely based on the novella of the same name by Truman Capote and has since become a classic, known for its fashionable portrayal of New York City and its iconic leading lady. One of the most memorable aspects of the film is its theme song, "Moon River."
"Moon River" is a song composed by Henry Mancini with lyrics by Johnny Mercer. It was specifically written for Breakfast at Tiffany's and has become synonymous with the film. The song is performed in the movie by Hepburn's character, Holly Golightly, a free-spirited socialite who plays the guitar and sings in her apartment. The scene where Holly sings "Moon River" is considered one of the most iconic moments in cinematic history.
The song "Moon River" went on to win the Academy Award for Best Original Song in 1961, solidifying its place in film and music history. It has since been recorded by numerous artists and has become a jazz standard. The melody is gentle and wistful, reflecting the nostalgic and dreamy nature of the lyrics, which speak of a distant, idealized place ("my huckleberry friend, moon river, and me").
The song's title, "Moon River," is said to be a reference to the Savannah, Georgia childhood home of Johnny Mercer, where he played by the moonlit river. The song perfectly encapsulates the film's themes of longing, romance, and the search for home and belonging. It also reflects Holly's character, who is a romantic dreamer seeking a sense of place and identity in New York City.
The impact of "Moon River" extends beyond the film. It has become a beloved standard in popular music, with numerous artists covering it over the years, including Frank Sinatra, Andy Williams, Louis Armstrong, and Judy Garland. The song's enduring appeal lies in its simple yet poetic lyrics and haunting melody, which evoke a sense of nostalgia and longing.
In conclusion, "Moon River" is an integral part of the fabric of Breakfast at Tiffany's. It not only provides a memorable and iconic musical moment in the film but also captures the very essence of the story and its characters. The song's enduring legacy in popular culture is a testament to its power and beauty.
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Mickey Rooney's controversial portrayal of a Japanese neighbour
Breakfast at Tiffany's is a 1961 romantic comedy film based on the 1958 novella of the same name by Truman Capote. The film features Audrey Hepburn in one of her most iconic roles as Holly Golightly, a free-spirited New York socialite. The cast also includes George Peppard, Patricia Neal, and Mickey Rooney, whose portrayal of Mr. Yunioshi, a Japanese neighbour, has been widely criticised.
Mickey Rooney's character, I. Y. Yunioshi, is a bucktoothed, myopic Japanese photographer who lives upstairs from Hepburn's character. Rooney's portrayal has been described as a caricature and an offensive ethnic stereotype that draws on anti-Japanese wartime propaganda. Several contemporary reviews took issue with the characterisation, with James Powers of The Hollywood Reporter calling it a "caricature" and Larry Tubelle of Variety stating that Rooney's participation "adds an unnecessarily incongruous note to the proceedings."
The criticism of Rooney's portrayal has continued over the years, with The Boston Globe describing the character in 1990 as "an irascible bucktoothed nerd and an offensive ethnic caricature". In 1993, the Los Angeles Daily News wrote that the role "would have been an offensive stereotype even played by an Asian; the casting of Mickey Rooney added insult to injury". Rooney expressed shock at the criticism, stating that he had not received any complaints in the decades since the film's release and that he had only heard positive feedback from people of various ethnicities. However, he also said that if he had known people would be offended, he would not have taken on the role.
Director Blake Edwards also expressed regret about the choice of casting, stating, "Looking back, I wish I had never done it." The portrayal has been referenced in other media, such as the 1993 film Dragon: The Bruce Lee Story, as an example of Hollywood's racist attitudes towards Asians. There have been calls to edit Rooney's scenes out of the film, with some arguing that his presence is unnecessary and detracts from the overall quality of the movie.
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Frequently asked questions
Breakfast at Tiffany's was released in 1961.
Filmmaker and playwright George Axelrod adapted the screenplay from Truman Capote's novel.
Breakfast at Tiffany's stars Audrey Hepburn as Holly Golightly, and George Peppard as Paul ("Fred") Varjak.




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